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Sun, Apr 09

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Millennium Film Workshop

RME DOUBLE FEATURE: Relaxercize Vol 1 (Animal Charm) & The Look of Love: Early Videos (Suzie Silver)

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RME DOUBLE FEATURE:  Relaxercize Vol 1 (Animal Charm) & The Look of Love: Early Videos (Suzie Silver)
RME DOUBLE FEATURE:  Relaxercize Vol 1 (Animal Charm) & The Look of Love: Early Videos (Suzie Silver)

Time & Location

Apr 09, 2023, 7:30 PM – 11:30 PM

Millennium Film Workshop, 167 Wilson Ave, Brooklyn, NY 11237, USA

About the event

RELAXERCIZE 1.0 - 

ANIMAL CHARM: A SMILE TO MELT YOUR HEART By O. Angelica Biddle            Feeling bamboozled by your television set? Developing eye disorders from looking askance at the situation tragicomedy? Wishing you, too, could enjoy a leisure lifestyle of slimming simulacrum? Have I got a program for you!           Animal Charm is the insurgence of your subconscious made manifest. Animal Charm cheerily shanghais the tactics used in manipulating the viewer into the world of the infomercial and makes them obvious. Animal Charm makes you wonder why people don't have seizures while watching TV. Animal Charm is the future, and the future is kind of neat.            Video mixing is sweeping the world, furtively, as kids across the globe use their combined ingenuity and the equipment at their homes and day jobs to produce a pastiche of visual and sonic input that is at once exhausting, hysterical, hypnotic and boring. Traditionally, television is a one-way medium, one that you can only control by taping a show or, heaven forbid, entering the exciting field of television broadcasting. You can't fast-forward a show or block out all the dialogue on Friends, leaving only the laugh track. All you can do is watch or not watch, or just watch the Simpsons. Video mixing is the answer- finding cutting-room castoffs, non-copyrighted industry-oriented swill, La Toya Jackson concert footage, animal show close-ups, and juxtaposing them.           I laughed, gasped, wished I was stoned, and almost went to sleep. The semiotics are too jarring to describe, but I'll try: one moment, we see a salt and pepper shaker on a table on a stormy night, as a voice-over discusses a son coping with the loss of his father. The son is using a self-help guide and we see that the father is in the stars. Cut to a gaggle of kittens playing, as the son tells us about his feelings of guilt and his eventual letting go. Suspenseful music cuts in over an office instructional video. In one particularly inspired moment, we watch a bandaged man drive around a parking lot as Carol King warbles "So Far Away."           Animal Charm is two fellas from Chicago who wander around looking for bad records and thrift-store videos, calling free video hotlines and mixing them all up live. They explain that they hope for more high-tech equipment, but something tells me that wouldn't be a good idea. The anarchic power of Charm is the total lack of digital sleekness, the idea that anyone can do it. And the live mixing is also key: any attempt to record it sort of misses the point. Charm inverts the hypnotic pull of television production values and shows them to be ridiculous, deceitful, and really menacing. I'm pretty sure that further manipulation would end up making it useless. If what Charm is doing catches on, they might focus their energy on perfecting the balance between repetition and boredom, exposure and bombardment. Hopefully, live video mixing will someday be as prevalent as DJs at bar mitzvahs, and there will be "Eighties Hot-Mixx Nite" at roller rinks across America.

First ever physical release of Relaxersize 1.0 by found footage heavy hitters ANIMAL CHARM (Rich Bott & Jim Fetterley)

THE LOOK OF LOVE: EARLY VIDEOS BY SUZIE SILVER

Suzie Silver has been creating queer performance and video art for over two decades. A true tomboy and thrill-seeker from day one, her youth was spent dirt-biking through canyons and dancing in the gay/lesbian bars of Tijuana and San Diego. Her well-known early videos, A Spy and Freebird, emerged from her involvement with the cabaret performance art scene in Chicago in the late '80s and early '90s where artists mirrored daily life, pop culture, politics, globalization, and evolving post-AIDS concerns of gender, sex, and the body. All of Silver's work alludes to the capacity for desire to disrupt social boundaries and imagine new futures.

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